This is England | Shane Meadows
Rosemary’s Baby | Roman Polanski.
Nymphomaniac: Vol I, Lars Von Trier. Nymphomaniac: Vol I, Lars Von Trier.

Stanley Kubrick  -  One-Point Perspective
compositions in which spatial planes converge at one vanishing point in the distance creating a sense that we are trapped within the scene rather than merely watching it. x

Stanley Kubrick  -  One-Point Perspective
compositions in which spatial planes converge at one vanishing point in the distance creating a sense that we are trapped within the scene rather than merely watching it. x

Stanley Kubrick  -  One-Point Perspective
compositions in which spatial planes converge at one vanishing point in the distance creating a sense that we are trapped within the scene rather than merely watching it. x

Stanley Kubrick  -  One-Point Perspective
compositions in which spatial planes converge at one vanishing point in the distance creating a sense that we are trapped within the scene rather than merely watching it. x

Stanley Kubrick  -  One-Point Perspective
compositions in which spatial planes converge at one vanishing point in the distance creating a sense that we are trapped within the scene rather than merely watching it. x

Stanley Kubrick  -  One-Point Perspective
compositions in which spatial planes converge at one vanishing point in the distance creating a sense that we are trapped within the scene rather than merely watching it. x

Stanley Kubrick  -  One-Point Perspective

compositions in which spatial planes converge at one vanishing point in the distance creating a sense that we are trapped within the scene rather than merely watching it. x

(via erwinnsmith)

cacophagy:

Pablo Picasso. Arthur Rimbaud, 1960

Fernando Meirelles wanted the cast to be made of people who had never acted before, and professional actors who were not widely known. One such actor was Matheus Nachtergaele whom Meirelles had seen in a play. But while Meirelles was working on the script, Nachtergaele suddenly became a huge star in Brazil after starring in the hit film O Auto da Compadecida (A Dog’s Will). Meirelles was a little disappointed at first but Nachtergaele promised him that he would disappear into the role of Sandro Cenoura so completely that his stardom would not distract from the film. Nachtergaele moved to the real Cidade de Deus (City of God) where most of the cast lived and lived there for three months to prepare for the role.

Fernando Meirelles wanted the cast to be made of people who had never acted before, and professional actors who were not widely known. One such actor was Matheus Nachtergaele whom Meirelles had seen in a play. But while Meirelles was working on the script, Nachtergaele suddenly became a huge star in Brazil after starring in the hit film O Auto da Compadecida (A Dog’s Will). Meirelles was a little disappointed at first but Nachtergaele promised him that he would disappear into the role of Sandro Cenoura so completely that his stardom would not distract from the film. Nachtergaele moved to the real Cidade de Deus (City of God) where most of the cast lived and lived there for three months to prepare for the role.

Dominici: Fala muitas mentiras?

Vanina: Quando é necessário. E você?

Dominici: Quando é indispensável.

La Prima Notte Di Quiete | Valerio Zurlini